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SIMONE WOLF, TYPEVENTS ITALY
and CATHERINE GRIFFITHS

with funding assistance by

creative new zealand

mondriaan foundation

netherlands embassy

and sponsorship by

college of creative arts,
massey university

dalton maag

fontlab

fuji xerox

freestyle

prodesign

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our website
springload
with
catherine griffiths

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/ observations . . .

“To be a graphic designer in a country that is still so wide-open (we’re talking about NZ here) must be exciting. In the Netherlands, design culture is very dominant. We like it that way, we’re not complaining, but what we mean is this: as a design group, we know that our influence on Dutch design culture will be minimal ... As a young designer, you have the possibility to really change national design culture, to have a voice. Young designers, such as David Bennewith and the guys behind The National Grid, are really shaping the image of NZ design. There are scenes to create, standards to be set. Young NZ designers have a world to win. That’s something really special.” / From an interview with Experimental Jetset, by Joanna Alpe & Livia Lima, We Love, for Cheese on Toast /// more news >>

 

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image NEW ZEALAND | letterpress printer | book artist | book historian
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Sydney J. Shep is Senior Lecturer in Print & Book Culture at Victoria University of Wellington, Wellington, New Zealand. She is a trained letterpress printer, book artist and designer bookbinder who runs Wai-te-ata Press | Te Whare Ta O Aotearoa, Victoria University’s unique type laboratory used for teaching, research, and fine press letterpress editions. Sydney has researched and published on many aspects of typography and design as well as topics in New Zealand print culture. She also co-directs Silent Isle Press, a fine press and designer bookbinding establishment. Sydney has trained in her native Canada, New Zealand and Scotland in letterpress printing, printmaking and bookbinding. In addition to studio teaching, she researches and publishes on topics as diverse as paper history, biscuit typography, graffiti, and printing trade manuals.

 
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L E C T U R E | 0930h | 15.02.09 | view programme

‘Smile, you’re on candid camera’: Emoticons and expressive typography

 

Emoticons, or ‘smileys’ as they are popularly termed, are frequently considered the archetypal expression of the digital age. This illustrated talk traces their origins in nineteenth-century printing trade journals in which letterpress compositors engaged in exuberant displays of typographical architecture and graphic charactering. Using the various sorts of the typecase, compositors created physiognomic ciphers, which gave material form to the relationship between textual bodies, the human body, and typography. It brings the story into the present by investigating the role of emoticons as the human computer interface, and introduces a few unusual applications in everyday life, including a peculiarly Australasian reinvention of the jammie dodger. If, as Theodore Adorno reminds us, “history has left its residue in punctuation marks, and it is history, far more than meaning or grammatical function, that looks out at us, rigidified and trembling slightly, from every mark of punctuation,” then the emoticon is a particularly good example of typographers giving voice and expression to the page, whether physical or digital.

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W O R K S H O P
Designing with Italics

 

Join Sydney Shep at Victoria University of Wellington’s own Wai-te-ata Press for a hands-on workshop focusing on the press’s unique collection of italic wood types. Shep will show you how to typeset and print, explore the letterpress style, and suggest novel ways of integrating letterpress into your contemporary design practice.

Click here to read about the Sydney Shep workshop

 

FOR MORE >> www.victoria.ac.nz/wtapress/
 

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/ Support New Zealand design, and buy ‘Cover Up – the Art of the Book Cover in New Zealand’, by Hamish Thompson, NZ$30, now available from endemicworld.com