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SIMONE WOLF, TYPEVENTS ITALY
and CATHERINE GRIFFITHS

with funding assistance by

creative new zealand

mondriaan foundation

netherlands embassy

and sponsorship by

college of creative arts,
massey university

dalton maag

fontlab

fuji xerox

freestyle

prodesign

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our website
springload
with
catherine griffiths

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/ observations . . .

“To be a graphic designer in a country that is still so wide-open (we’re talking about NZ here) must be exciting. In the Netherlands, design culture is very dominant. We like it that way, we’re not complaining, but what we mean is this: as a design group, we know that our influence on Dutch design culture will be minimal ... As a young designer, you have the possibility to really change national design culture, to have a voice. Young designers, such as David Bennewith and the guys behind The National Grid, are really shaping the image of NZ design. There are scenes to create, standards to be set. Young NZ designers have a world to win. That’s something really special.” / From an interview with Experimental Jetset, by Joanna Alpe & Livia Lima, We Love, for Cheese on Toast /// more news >>

 

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image UNITED KINGDOM | artist | designer | writer
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Paul Elliman is a London-based artist, designer and writer exploring the mutual interests of technology and language. His work, which draws on a range of resources from found typographies to professional voice-overs, has been included in exhibitions and collections in London’s Tate Modern and the Victoria and Albert Museum, the Anyang Public Art Project in Korea, Basel Kunsthalle and New York’s New Museum of Contemporary Art. He has taught at the Yale University School of Art since 1997, and as thesis supervisor for the Werkplaats Typografie in Arnhem, Netherlands, since 2003.

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L E C T U R E | 1700h | 15.02.09 | view programme
 

In the air and on the ground
Thinking about the intersections of language and the built environment, or of writing and the voice, (PE’s) work engages with certain technical structures of human language and communication. Along these lines, Elliman will show a few examples that play with or invert some of the conventions of graphic modernism, using letters formed from discarded or broken parts of the city, and human voices that speak as if they were typographical signage. 

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About the images

‘Spells’, Monteverdi, 2009, ouija board for George Maciunas printed on silk, with green polycarbonate lens | Untitled spirit photograph, 2008 | ‘Dead Scissors’, 2007 | ‘OrKID IPEDIQ DOS X/R’, 2008

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/ Support New Zealand design, and buy ‘Cover Up – the Art of the Book Cover in New Zealand’, by Hamish Thompson, NZ$30, now available from endemicworld.com