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Contact us

be@typeshed11.co.nz

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SIMONE WOLF, TYPEVENTS ITALY
and CATHERINE GRIFFITHS

with funding assistance by

creative new zealand

mondriaan foundation

netherlands embassy

and sponsorship by

college of creative arts,
massey university

dalton maag

fontlab

fuji xerox

freestyle

prodesign

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our website
springload
with
catherine griffiths

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/ observations . . .

“To be a graphic designer in a country that is still so wide-open (we’re talking about NZ here) must be exciting. In the Netherlands, design culture is very dominant. We like it that way, we’re not complaining, but what we mean is this: as a design group, we know that our influence on Dutch design culture will be minimal ... As a young designer, you have the possibility to really change national design culture, to have a voice. Young designers, such as David Bennewith and the guys behind The National Grid, are really shaping the image of NZ design. There are scenes to create, standards to be set. Young NZ designers have a world to win. That’s something really special.” / From an interview with Experimental Jetset, by Joanna Alpe & Livia Lima, We Love, for Cheese on Toast /// more news >>

 

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watch the films we showed >> 

 

TypeSHED11 is over. Set to explore the notions and voices of typography – no matter how small or vocal, how grand or local – across the disciplines, of graphic design and advertising, photography, film, literature, architecture, music, the visual arts – we were beamed back out to the rest of the world via Typeradio.

Our international guests, who included Stephen Banham, Donald Beekman, Walter Bohatsch, Paul Elliman, Experimental Jetset, Masayoshi Kodaira, Indra Kupferschmid, Christian Schwartz and Leonardo Sonnoli, were here, in Wellington, for five days – three of presentations and two of workshops – all under the one roof at Shed 11 and Site 7 – encircled by satellite events, forums and panels for discussion and debate, evening projections and entertainment. Opening evening drinks (Seresin wines and finger food by Jenny Neligan); a second evening of Tuatara beer, bread and cheese to launch Bennewith’s book ‘Joseph Churchward’ and ‘The National Grid’ #5; refreshments each day (organic apples, Whittakers chocolate, and Antipodes water); and the final night with impromptu guest My Little Soundsystem (NL) who performed following the successful auction of Sonnoli’s ‘Le cadavre exquis’, offered the prospect to learn, mix and meet at New Zealand’s first ever, never-to-be-repeated TypeSHED11.

A full programme constructed from lectures, interspersed with interviews, short films and title sequences, workshops, exhibitions and installations created the very real possibility for social and intellectual exchange with passionate typographers and designers from about the world – Europe, the Americas, Asia, Pacific, Australia and New Zealand.

 

*All seasons in five days ... sunshine, mist, rain, wind and sunshine again ... 

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above: ‘For the record’ / Paul Elliman Untitled spirit photograph, 2008 and ‘Dead Scissors’, 2007 / David Bennewith ‘Suggestions’ poster, 2007

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/ Support New Zealand design, and buy ‘Cover Up – the Art of the Book Cover in New Zealand’, by Hamish Thompson, NZ$30, now available from endemicworld.com